Paintings, Prints & Drawings — 1838
Oliver Twist: 22/24, The last chance
‘There were tiers and tiers of faces in every window…he set his foot against the stack of chimneys, fastened one end of the rope tightly around it and with the other made a strong running noose by the aid of his hands and teeth, almost in a second. He could let himself down by the cord to within a less distance of the ground than his own height, and had his knife ready in his hand to cut it then and drop...a dog which had lain concealed till now, ran backwards and forwards on the parapet with a dismal howl and collecting himself for a spring, jumped for the dead man’s shoulders. Missing his aim, he fell into the ditch, turning completely over as he went; and striking his head against a stone, dashed out his brains.’
George Cruikshank supplied twenty-four engravings for the first edition of Oliver Twist by Charles Dickens between February 1837 and April 1839. It was Dickens’s second novel published by Richard Bentley. After Dickens's death in 1870, Cruikshank made the claim that it was he who had originated Oliver Twist, a claim which Dickens's biographer and confidant, John Forster, refuted by referring to Dickens's letters. The plates for that novel certainly reflect Cruikshank's extensive knowledge of the London underworld.
- Category:
- Paintings, Prints & Drawings
- Object ID:
- 54.122/3s
- Object name:
- Oliver Twist: 22/24, The last chance
- Object type:
- print, etching
- Artist/Maker:
- Cruikshank, George, Bentley, Richard
- Related people:
- Dickens, Charles
- Related events:
- —
- Related places:
- London
- Production date:
- 1838
- Material:
- paper, ink
- Measurements/duration:
- H 175 mm, W 104 mm (paper)
- Part of:
- —
- On display:
- —
- Record quality:
- 100%
- Part of this object:
- —
- Credit:
- —
- Copyright holder:
- digital image © London Museum
- Image credit:
- —
- Creative commons usage:
- —
- License this image:
To license this image for commercial use, please contact the London Museum Picture Library.